This week: Arcade Fire. Jim and Greg sit down with members of this anthemic rock band for a candid conversation about how an indie group from Montreal took the music industry by storm.Subscribe via iTunesDownload This Episode
iTunes announced that it will be offering cut-rate downloads on several albums in its catalog. The albums, which retail for $5.99 and $6.99, are part of a new series called“Next Big Thing.”The bargain bin includes albums from up-and-comers like LCD Soundsystem and Peter Bjorn and John. Jim and Greg are happy to see that the giant digital music retailer is waking up. Six bucks is a perfectly legitimate amount to pay for such good albums, and this is a move that's certain to please consumers, if not record labels.
Also in the news, pop star Avril Lavigne is being called out for a couple instances of plagiarism. First, power pop band The Rubinoos launched a legal case against Avril, claiming that her single "Girlfriend" was lifted from their 1979 song, "I Wanna Be Your Boyfriend." Avril denies this, but the similarities are pretty striking. Then, gossip blogger Perez Hilton pointed out another suspicious similarity. The first 20 seconds of Avril's "I Don't Have to Try" sound nearly identical to electroclasher Peaches' track "I'm the Kinda." Jim and Greg think the evidence is stacking up against Avril, but are quick to point out that all rock music has been cribbed from one source or another.
Next Jim and Greg relay their experiences that at the recent Police reunion show in Chicago. Greg was pretty unimpressed, and says that the show was definitely not worth what people paid. Jim was less harsh, but agrees with Greg that the Police have always been better on album than live.
The Police concluded their tour at Giants Stadium as part of the Live Earth concert. Again, the band didn't wow our hosts, but it was Kanye West's performance that was the most strikingly bad. In fact, with the exception of a few performances, most of Live Earth was pretty underwhelming to Jim and Greg. And the world seemed to agree. Ratings were quite poor, especially compared to the success of previous attempts like Live 8. Jim is all for music influencing people to make change, but he didn't hear anything truly inspirational coming out of this crop of musicians. And Greg found the event to have a great lack of focus, though both hosts are all for Al Gore replacing Bono as music's new crusader.
This week Jim and Greg are joined by Régine Chassagne and Win Butler of indie rock giants Arcade Fire. Arcade Fire, critically acclaimed for their debut album Funeral, are known for their rich, anthemic sound and diverse instrumentation. Neon Bible, their latest release featuring a military choir, Hungarian orchestra, pipe organ and a hurdy gurdy among other instruments, has been an overwhelming commercial success. Régine retraces her relationship with husband, Win Butler. They became musical collaborators after Win saw Regine playing medieval music in Montreal, and eventually the band became headliners for such major festivals as Coachella and Lollapalooza. After seeing Arcade Fire perform at a number of venues, both Jim and Greg agree that their live show is something truly special.
Jim and Greg discuss the band's music-making process. Win and Régine elaborate on the primacy of beat and rhythm to the Arcade Fire aesthetic. Just as their rhythms could be perceived as classic rock and roll, Régine confers with Win about the multicolored sound they strive to create with different instruments and orchestration. Jim and Greg discuss the meaning behind the religious themes and allusions in Neon Bible with Win and Régine; Win articulates the moral ambiguity of evangelism as a source of influence and inspiration for writing the album.
To conclude this week, it's Jim's turn to drop a track into the Desert Island Jukebox. Jim becomes a bit nostalgic and recalls fond teenage memories of the thriving music scene of Hoboken, New Jersey, the hometown of classic power-pop outfit, The Bongos. Taken from the seminal album, Drums Along the Hudson, which has just been reissued, the track "The Bulrushes" connotes a“messianic”rock and roll coming of age. Jim calls this The Catcher in the Rye of power-pop, and an essential choice in his Desert Island Jukebox.
- Eminem,“My Name Is,”The Slim Shady LP, 1999
- The Rubinoos,“I Wanna Be Your Boyfriend,”The Rubinoos, 1977
- Avril Lavigne, "Girlfriend (in Mandarin), The Best Damn Thing, 2007
- Peaches,“I'm the Kinda,”Fatherfucker, 2003
- Avril Lavigne,“I Don't Have to Try”The Best Damn Thing, 2007
- The Police,“Don't Stand So Close to Me,”Live, 2007
- Kanye West, Performance at Live Earth, 2007
- Nunatuck,“How Many People,”Performance at Live Earth, 2007
- Arcade Fire,“Neighborhood #3 (Power Out) ”Funeral, 2004
- Alivno Rey,“Night Train,”Ping Pong, 1960
- Arcade Fire,“Neighborhood #1 (Tunnels),”Funeral, 2004
- Arcade Fire,“Wake Up”Funeral, 2004
- Arcade Fire,“No Cars Go,”Neon Bible, 2007
- Arcade Fire,“Antichrist Television Blues,”Neon Bible, 2007
- Arcade Fire,“Neon Bible,”Neon Bible, 2007
- Arcade Fire,“The Well and the Lighthouse,”Neon Bible, 2007
- Arcade Fire,“Intervention,”Neon Bible, 2007
- The Bongos,“The Bulrushes,”Drums Along the Hudson, 1982
- Beastie Boys,“Groove Holmes,”Check Your Head, 1992
- Crowded House,“Even a Child,”Time On Earth, 2007
- Peter Gabriel,“No Self Control,”Peter Gabriel , 1980
reuters.com Universal Music declines long-term iTunes deal bbc.co.uk Avril Lavigne rejects copy claim avrillavigne.com Avril Lavigne's homepage allmusic.com The Rubinoos on AllMusic prnewswire.com Avril Lavigne's Statement Regarding Lawsuit perezhilton.com Perez Hilton's homepage peachesrocks.com Peaches' homepage liveearth.org Live Earth vanityfair.com Bono's letter to Vanity Fair arcadefire.com Arcade Fire's homepage allmusic.com Funeral on AllMusic neonbible.com Neon Bible homepage jimdero.com Jim on Arcade Fire's live show popmatters.com Greg's interview with Arcade Fire youtube.com Arcade Fire perform“Neon Bible”live in elevator allmusic.com The Bongos on AllMusic amazon.com Drums Along the Hudson reissue