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Tori Amos & Wu-Tang Clan Review

Music News

In what is turning into a regular Sound Opinions segment:“The Recording Industry vs. The Consumer,”Jim and Greg turn this week to a news item coming out of Oregon. Earlier this year the RIAA filed a lawsuit accusing 17 unnamed suspected University of Oregon students of illegally sharing music. The suspects are identified only by an Internet address, and industry lawyers have demanded that the university identify them. Previously when the RIAA has done this, universities cooperated. But the University of Oregon's response has been quite remarkable. UO officials are refusing to identify the students without an investigation, saying that this would compromise their privacy and property rights. Oregon's Attorney General has backed the school and is accusing the RIAA of bullying. Jim and Greg speak to Tony Green, a reporter at the Oregonian, about what is fast becoming a contentious battle.

While they may not be effective, the record industry lawsuits are an attempt to maintain ground in an ever-changing landscape. The next two stories speak to this music industry flux. Universal, the top music label, has ordered its artists to take full tracks off of their MySpace pages. While MySpace was once viewed as a great promotional tool, it's now been added to the list of digital distribution enemies. Therefore, commercial successes like Colbie Caillat are having to remove content from their sites and explain the issue to hungry fans. This move might have been a response to losses Universal experienced last quarter. They're also laying off a number of top and mid-level executives, and Vivendi, the company that owns the label, has announced plans to acquire video game publisher Activision. Activision produces Guitar Hero, the game that has proven to be more successful than any music release this year.

Another area the music industry is struggling with is commercial radio. With an increasing number of alternatives to radio including internet radio and the iPod, broadcast radio listenership has been gradually diminishing over the past few years. In an effort to maintain listeners, program directors are actually choosing to play fewer songs, more times. New York Times reporter Jeff Leeds explains that commercial radio stations are oddly choosing to keep the listeners they've got, rather than get new ones. The most recent example of this strategy is the tremendous amount of airpla{artist: y given to OneRepublic's hit single "Apologize." The Timbaland} produced track recently broke the record for the most plays of a song on the nation's Top 40 stations in a single week. It was played almost 11,000 times in one single week and was heard by more than 70 million listeners.