Results for Wrecking Crew

classic album dissections
pet sounds

The Beach Boys Pet Sounds

On May 16, 1966, The Beach Boys released their 11th studio album, Pet Sounds. It was a relative commercial failure for what was the biggest American band of the '60s. However in the ensuing years, the album's stature grew. Today, its influence pervades to the point that it is almost universally acknowledged as one of the greatest albums ever released in the rock era.

Due to a great deal of pressure, emotional turmoil, and mental health issues, Brian Wilson quit the Beach Boys as a touring entity at the end of 1964. While the rest of the band was on the road, Wilson spent ten months in the studio crafting one of the most intricate and expensive pop records ever made. Working with the famed session musicians of the Wrecking Crew, Wilson took a classical composer's approach, layering instrument upon instrument to create lush, unique timbres. He collaborated with Madison Avenue writer Tony Asher on heartbreakingly earnest lyrics about his struggles to find his place in the world. The audience, the label, and his own bandmates didn't quite know what to make of Pet Sounds when it came out. But artists from The Beatles to R.E.M. to Radiohead picked up on its brilliance and modeled their own music on Wilson's ingenious arrangements. God only knows what rock would be today without Pet Sounds.

Go to episode 738
features

Instrumental: Bass VI

Bass VI In the latest installment of our Instrumental segment, producer Evan Chung takes a look at the history of a lesser-known instrument that doesn't have a proper name ā€“ the Bass VI. Once again, we get some help from Daniel Escauriza and Shelby Pollard of Chicago Music Exchange to demonstrate. The Bass VI is a hybrid six-string instrument that looks and feels like a guitar, but is tuned in the range of a bass. Sonically, the Bass VI features a sharp attack and a distinctive twangy sound.

Fender released the most popular model, but the Danelectro company put out the first version of the instrument in the 1950s. It then became a staple of country, rockabilly, and early rock ā€˜nā€™ roll. In a style known as "tic-tac bass," Nashville producers would use an upright bass and a Bass VI simultaneously on recordings by Patsy Cline, Ernest Tubb, Roy Orbison, and more. In the 1960s, it was a favorite tool of the Wrecking Crew sessions musicians in LA, who used it on classic recordings with The Beach Boys and Glen Campbell.

Beginning in the 1980s, artists began to find new spookier uses for the Bass VI. New Order, The Cure, and The Cocteau Twins all incorporated it into their sound. Doug McCombs has been the most prominent Bass VI player of the last few decades, featuring it in his work with Tortoise, Eleventh Dream Day, and Brokeback. McCombs stopped by our studios to discuss his love of the instrument and to perform Brokeback's "From the Black Current" live.

Go to episode 626
news

Music News

Go to episode 611