Results for The Inevitable Rise and Liberation of Niggy Tardust

interviews

Saul Williams

This week's guest has an incredible portfolio: poet, screenwriter, actor, activist, and, of course, musician. But, while we have many words to describe Saul Williams, it's hard to describe his music. Saul blends rock, funk, hip hop and electronica with political lyrics. This combo was most recently heard on an album Saul made with Nine Inch Nails' Trent Reznor. Last year they released The Inevitable Rise and Liberation of Niggy Tardust exclusively on the web. Now Saul is again getting attention through his involvement in a Nike ad campaign. The singer, and admitted activist, explains to Jim and Greg why he agreed to let the corporation use his song "List of Demands," in a recent commercial. He believes that the ad calls more attention to his song than it does the product, and therefore spreads the message of his music. You can hear that song performed live on the show, as well the Niggy Tardust tracks, "Banged and Blown Through" and "Convict Colony."

Go to episode 129
reviews
The Inevitable Rise and Liberation of Niggy TardustThe Inevitable Rise and Liberation of Niggy Tardust available on iTunes

Saul Williams The Inevitable Rise and Liberation of Niggy Tardust

But, the real question is whether or not The Inevitable Rise and Liberation of Niggy Tardust is worth your $5. Greg calls the album a dissertation on the Black American experience. That's no small topic for sure, but he enjoyed Saul Williams‘ lyrics more when he got personal towards the end. The real star of the album is Reznor’s production which is as intense and skuzzy as ever. Jim agrees, saying that the album is sonically and conceptionally mind-blowing, and would've been a contender for his best of last year. Both critics give The Inevitable Rise and Liberation of Niggy Tardust a Buy It.

JimGreg
Go to episode 111
lists

The Best of 2008… So Far

Hard to believe it's almost the midpoint of 2008, but lucky for Sound Opinions listeners, that means it's time for a list! Here are Jim and Greg's lists for 2008's mid-year best.

Go to episode 135

Best Albums of 2008

Jim and Greg listened to hundreds of albums this year. Which ones soared to the top? Check out their lists for the Best Albums of 2008 below. You can also see what albums made the cut in years past in our Lists section.

Go to episode 159
news

Music News

Lately it seems like all the record industry can talk about is what to do about all the digital downloading out there. Now the Songwriters Association of Canada thinks it has a solution. They‘ve proposed to allow domestic consumers access to all recorded music available online in return for adding a $5 monthly fee to every wireless and Internet account in the country. The Canadian recording industry hasn’t responded favorably, but as SAC president Eddie Schwartz explains to Jim and Greg, it's the best way to compensate songwriters and musicians for the 50+ billion downloads that are expected to take place in 2008.

In other news American Idol Taylor Hicks has been dropped by his label, J Records. This comes shortly after the dismissal of former Idol runner-up Ruben Studdard. And, after a disappointing year for Kelly Clarkson, Jim and Greg wonder if the Idol effect is wearing off. Sure, both Chris Daughtry and Carrie Underwood had a very successful year, but as the new season of Idol kicks off, Sound Opinions H.Q. has to wonder —maybe this pop culture phenomenon should stick to television, where it belongs.

Radiohead's album In Rainbows went to number one this week after being initially released as a pick-your-own-price digital download. The band hasn't released any sales figures from their digital experiment, but another music giant has been less tight-lipped. Trent Reznor recently posted the download and sales numbers for The Inevitable Rise and Liberation of Niggy Tardust, the Saul Williams album he produced and helped release. Reznor made the album available as a free, lower-quality download as well as a higher-quality download for $5. According to Reznor, over 150,000 people downloaded the album, but only 18% paid for it. While he was disheartened by the news, Jim and Greg think the situation fares well for Saul Williams, who previously never had such a large audience. Artists rarely get a large cut of record sales, and this kind of exposure will help Williams build a fan base for the bigger money-maker: touring.

Go to episode 111