Results for The Grateful Dead
interviews
Lawrence Lessig
Next up Jim and Greg play a bit of The Grey Album, a mashup of The Beatles' White Album and Jay-Z's Black Album made by DJ Danger Mouse. This was an album that received a lot of critical praise and attention. It even topped both Jim and Greg's year-end lists. It is a completely modern work that could not have been made without recent digital technologies. The rub here is that it could not be purchased anywhere, and many people who heard it don't even own a hard copy. This is because, according to current copyright law, what DJ Danger Mouse did was completely illegal. To discuss how laws like this are stifling art and how music in the digital age has changed in other ways, Jim and Greg welcome the definitive expert on this issue: Lawrence Lessig. Professor Lessig, a faculty member of Stanford Law School and founder of its Center for Internet and Society, has authored three books on cyber law and free culture, tried cases before the Supreme Court and founded Creative Commons, an organization trying to expand the range of creative work legally available to share.
While copyright laws have existed for over 200 years, music was not protected for a long time. Early in the 20th century protections for musicians and songwriters were put in place; however these laws did not necessarily hinder creativity. Once a song was recorded, anyone had the right to record it. This encouraged artists and was fundamental to the growth of the music industry, so much so that even the RIAA defended this right. The 21st century version of this kind of conversation between artists is sampling, but under current law, Professor Lessig explains, sampling is considered piracy. Therefore, creative expression and evolution are not fostered the way they were in the last century.
To demonstrate this point, Jim and Greg discuss the evolution of one song in the 20th century. Whether it was called“To the Pines,”"In the Pines," or even“Where Did You Sleep Last Night,”musicians like Leadbelly and Nirvana would quote and reference each other, essentially engaging in a dialogue and helping to inspire one another. This kind of songwriting and recording is the definition of a musical community and has been around since music itself. The sad truth is that such a community can't legally exist today. Listen to the songs that may have been lost had this been the case before the digital age:
- Bill Monroe - "In the Pines," recorded between 1936-1941
- Leadbelly - "In the Pines," 1947
- Bascom Lamar Lunsford - "To the Pines, To the Pines," 1949
- Joan Baez - "In the Pines," recorded between 1960 - 1963
- The Grateful Dead - "In the Mines," 1966
- Nirvana - "Where did you Sleep Last Night," 1994
- Rancho Deluxe - "In The Pines," 2005
- Smog - "In The Pines," 2005
Other versions include:
- Clifford Jordan - "Black Girl," These Are My Roots, 1965
- Mark Lanegan - "Where Did You Sleep Last Night," The Winding Sheet, 1990
- Dolly Parton - "In the Pines," Heartsong, 1994
- Louvin Brothers -“In the Pines,”Tragic Songs of Life, 1956
- Youth Gone Mad feat. Dee Dee Ramone - "In the Pines," Youth Gone Mad, 2002
Digital copyright laws affect the consumer as well. In fact, Professor Lessig suggests that“creator”might be a more appropriate name. In the last century, music fans would buy music or make mixtapes, but current technology allows the listener to be a part of the creative process. The law currently treats these creative consumers, many of whom are kids, as thieves. Our guest does not condone illegal behavior, but strives to change existing laws rather than prosecute people who are hardly criminals.
In addition to changing laws, Professor Lessig recommends that record companies use the Web rather than fight it. If he ran a label he would encourage people to participate in the creative process and remix an artist's work. He would also allow and encourage artists to release their music on the internet. A small number of bands including Clap Your Hands Say Yeah and Wilco have been able to do this with really positive results. Finally, if he ran a label, he would not bite the hand that feeds him and back away from the harmful DRM technologies that labels are bundling into their content.
Go to episode 134specials
The Grateful Dead
The Grateful Dead celebrated its 50th anniversary in July with a series of farewell shows at Soldier Field in Chicago. We're using that as an opportunity to reexamine the legacy of the controversial band. The Dead formed in the Bay Area in the 1960s and featured a core membership of guitarists Jerry Garcia and Bob Weir, keyboardist Ron“Pigpen”McKernan, bassist Phil Lesh, drummers Bill Kreutzmann and Mickey Hart, with important contributions from lyricist Robert Hunter. Though it was the prototypical "jam band," The Dead's sound was much more eclectic and harder to pin down than that sometimes derisive term indicates, incorporating free jazz, psychedelia, bluegrass, blues, early rock ‘n’ roll, and more.
The Dead built a community of devoted fans who would travel with the band from town to town, some of whom would tape the performances and share the recordings, which the band encouraged. Though Deadheads contend the true essence of the band was experienced in its experimental live shows, Jim has little patience for the erratic performances and instead prefers the band's early studio recordings. Greg argues that The Dead was a consistently great live band during its peak in the '70s, before drugs took their toll and the surprise 1987 chart hit "Touch of Grey" altered the fanbase. Garcia, who died in 1995, was an irreplaceable musical genius, and the band leaves behind a legacy of experimentation, eclecticism, and an unparalleled musical community.
Go to episode 505dijs
Jim
Jim's DIJ pick was inspired by an article he read recently in The New Yorker. In spite of a life-long hatred of The Grateful Dead, Jim made it through (and even enjoyed!) Nick Paumgarten's 25,000 words on the world of Deadhead bootleg tape collecting. No, this critic wasn't converted to the church of Jerry Garcia, but the article did remind him of some particular nasty punk songs with lyrics about the Dead. His favorite, "Pop Songs" by Suicidal Tendencies, is this week's addition to the jukebox.
Go to episode 366news
Music News
The Grateful Dead are coming back from…well…the dead. The four surviving original members of the jam band progenitor are reuniting for a series of shows this July at Soldier Field in Chicago. These performances will commemorate their 50th anniversary as a band, as well as the 20th anniversary of leader Jerry Garcia's death. The band claims these will be their final shows together, but Jim and Greg have their doubts.
The buzz is already building for this summer's big music festivals. Major events like Coachella, Bonnarroo, and the New Orleans Jazz Fest are already announcing big name headliners. There seems to be a growing trend of booking veteran performers like Billy Joel and Elton John who could otherwise fill stadium gigs of their own. Greg's early pick is the Governors Ball in New York featuring Björk, while Jim's curiosity is piqued by the avant-garde lineup at Knoxville, Tennessee's Big Ears Festival.
It's one fine day for fans of Mariah Carey. The chart-topping chanteuse will be holding a residency at Caesars Las Vegas beginning in May. She'll perform selections from her many #1 singles to coincide with a new release aptly called #1s. And while it seems like the stuff of sweet, sweet fantasy, Mr. Showmanship himself, Liberace, is also returning to Vegas, despite having died in 1987. Following in the footsteps of Michael Jackson and Tupac Shakur, the glittery entertainer will be recreated as a hologram by the company Hologram USA.
featured songs
Featured Songs
- The Grateful Dead, Brokedown Palace, American Beauty, Warner Bros., 1970
- Mariah Carey, Emotions, Emotions (Single), Columbia, 1991
- Run-D.M.C. feat. Aerosmith, Walk This Way, Raising Hell, Profile, 1986
- Diamanda Galás with John Paul Jones, Do You Take This Man?, The Sporting Life, Mute Records, 1994
- The Ramones, Rock ‘n’ Roll High School, End of the Century, Sire, 1980
- Julio Iglesias and Willie Nelson, To All the Girls I've Loved Before, To All the Girls I've Loved Before (Single), Columbia, 1984
- Kanye West feat. Paul McCartney, Only One, Only One (Single), Def Jam, 2014
- Hindu Love Gods, Raspberry Beret, Raspberry Beret (Single), Warner Bros., 1990
- The KLF featuring Tammy Wynette, Justified & Ancient, Justified & Ancient (Single), KLF Communications, 1991
- Atoms for Peace, Dropped, Amok, XL, 2013
- Nick Cave and Kylie Minogue, Where the Wild Roses Grow, Where the Wild Roses Grow (Single), Mute, 1995
- Grizzly Bear feat. Michael McDonald, While You Wait for the Others, Veckatimest, Warp, 2009
- Johnny Cash with producer Rick Rubin, Personal Jesus, America IV: The Man Comes Around, Universal, 2002
- The Cramps with producer Alex Chilton, Zombie Dance, Songs the Lord Taught Us, Illegal Records, 1980
- Teenage Fanclub and De La Soul, Fallin', Fallin' (Single), Immortal, 1994
- Sleater-Kinney, No Cities to Love, No Cities to Love, Sub Pop, 2015
- Sleater-Kinney, Surface Envy, No Cities to Love, Sub Pop, 2015
- Aphex Twin, DISKPREPT4, Computer Controlled Acoustic Instruments PT 2, " Warp, 2015
- De La Soul, Ring Ring Ring (Ha Ha Hey), De La Soul Is Dead, Warner Bros., 1991
- Run-D.M.C., Sucker M.C.'s (Krush-Groove 1), Sucker M.C.'s (Single), Profile, 1983
- Mary J. Blige, My Life, My Life, Uptown, 1994
- Iron Maiden, The Trooper, Piece of Mind, EMI, 1983
Featured Songs
- Grateful Dead, Truckin', American Beauty, Warner Bros., 1970
- Grateful Dead, Box of Rain (Live), Fare Thee Well Show (07/03/15), N/A, 2015
- Grateful Dead, Mindbender (Confusion's Prince), Birth of the Dead, Rhino, 2003
- Grateful Dead, Beat It On Down the Line, The Grateful Dead, Warner Bros., 1967
- Grateful Dead, That's It for the Other One, Anthem of the Sun, Warner Bros., 1968
- Grateful Dead, Dark Star, Live/Dead, Warner Bros., 1969
- Grateful Dead, Dire Wolf, Workingman's Dead, Warner Bros., 1970
- Grateful Dead, Uncle John's Bands, Workingman's Dead, Warner Bros., 1970
- Grateful Dead, Box of Rain, American Beauty, Warner Bros., 1970
- Grateful Dead, Cumberland Blues, Europe '72, Warner Bros., 1972
- Grateful Dead, Turn On Your Lovelight, Dick's Picks Volume 4, Grateful Dead, 1996
- Grateful Dead, Dark Star, Road Trips Volume 4 Number 3, Rhino, 2011
- Grateful Dead, Terrapin Station, Terrapin Station, Arista, 1977
- Grateful Dead, Terrapin Station (Live), To Terrapin: Hartford '77, Rhino, 2009
- Grateful Dead, Feel Like a Stranger, Go to Heaven, Arista, 1980
- Grateful Dead, Touch of Grey, In the Dark, Arista, 1987
- Grateful Dead, Drums, Space (Live), Live at Soldier Field (07/09/95), N/A, 1995
- Grateful Dead, Brokedown Palace, American Beauty, Warner Bros., 1970
- Grateful Dead, Comes a Time, Live at War Memorial Auditorium (05/09/77), N/A, 1997
- Grateful Dead, Morning Dew, 30 Trips Around the Sun, Rhino, 2015
- Grateful Dead, Cold Rain and Snow, The Grateful Dead, Warner Bros., 1967
- Grateful Dead, Can't Come Down, Birth of the Dead, Rhino, 2003
- Grateful Dead, Casey Jones, Workingman's Dead, Warner Bros., 1970
- Grateful Dead, Sugar Magnolia, American Beauty, Warner Bros., 1970
- Grateful Dead, St. Stephen, Live/Dead, Warner Bros., 1969
- Grateful Dead, Viola Lee Blues, Dick's Picks Volume 8, Grateful Dead, 1997
- Vince Staples, Lift Me Up, Summertime '06, Def Jam Recordings, 2015
- Vince Staples, Summertime, Summertime '06, Def Jam Recordings, 2015
- The Weeknd, Can't Feel My Face, Can't Feel My Face (Single), Republic, 2015
- Lady Gaga, Telephone (Featuring Beyoncé), The Fame Monster, Interscope, 2009
- The Foo Fighters, Everlong (Acoustic), Greatest Hits, RCA, 2009
- Wilco, EKG, Star Wars, dBpm, 2015
- Wilco, Where Do I Begin, Star Wars, dBpm, 2015
- Brian Eno, Dieter Moebius, Hans-Joachim Roedelius, Broken Head, After the Heat, Sky Records, 1978
Featured Songs
- Judas Priest, Island of Domination, Sad Wings of Destiny, Gull, 1976
- Eminem, Love the Way You Lie (feat. Rihanna), Recovery, Aftermath, 2010
- The xx, Crystalised, xx, Young Turks, 2009
- Slayer, Raining Blood, Reign in Blood, Def Jam, 1986
- Judas Priest, Grinder, British Steel, Columbia, 1980
- Slayer, Necrophobic, Reign in Blood, Def Jam, 1986
- Slayer, Angel of Death, Reign in Blood, Def Jam, 1986
- Slayer, Piece By Piece, Reign in Blood, Def Jam, 1986
- Slayer, Jesus Saves, Reign in Blood, Def Jam, 1986
- Slayer, Criminally Insane, Reign in Blood, Def Jam, 1986
- Slayer, Altar of Sacrifice, Reign in Blood, Def Jam, 1986
- Slayer, Postmortem, Reign in Blood, Def Jam, 1986
- Slayer, South of Heaven, South of Heaven, Def Jam, 1988
- Slayer, Spill The Blood, South of Heaven, Def Jam, 1988
- Slayer, Spirit In Black, Seasons in the Abyss, American, 1990
- Slayer, Unit 731, World Painted Blood, American, 2009
- Slayer, Jihad, Christ Illusion, American, 2006
- Slayer, Disciple, God Hates Us All, American, 2001
- Slayer, Reborn, Reign in Blood, Def Jam, 1986
- Richard Thompson, Crimescene, Dream Attic, Shout! Factory, 2010
- Richard Thompson, The Money Shuffle, Dream Attic, Shout! Factory, 2010
- Weezer, Memories, Hurley, Epitaph, 2010
- Weezer, Where's My Sex, Hurley, Epitaph, 2010
- Forest Swords, Hjurt, Rattling Cage/Hjurt 7, " No Pain In Pop, 2010
- The Grateful Dead, Operator, American Beauty, Warner Bros., 1970
- John Mellencamp, No Better Than This, No Better Than This, Rounder Records, 2010
- Ride, Vapour Trail, Nowhere, Creation, 1990
- Katy Perry, Teenage Dream, Teenage Dream, Capitol, 2010
Featured Songs
- A-ha, Take On Me, Take On Me (Single), Warner Bros., 1984
- J. Balvin, Ay Vamos, Ay Vamos (Single), Capitol Latin, 2014
- Miles Davis, Freddie Freeloader, Kind of Blue, Columbia, 1959
- King Oliver's Creole Jazz Band, Dippermouth Blues, Dippermouth Blues (Single), Gennett Records, 1923
- Artie Shaw and His Orchestra, Begin the Beguine, Begin the Beguine (Single), RCA Victor, 1938
- Charlie Parker Quintet, Donna Lee, Donna Lee (Single), Savoy Records, 1947
- Modern Jazz Quartet, Concorde, Concorde, Prestige, 1955
- Jimmy Smith, Back at the Chicken Shack, Back at the Chicken Shack, Blue Note, 1960
- Sarah Vaughan, Lullaby of Birdland, Sarah Vaughan with Clifford Brown, EmArcy, 1954
- Cecil Taylor, Steps, Unit Structures, Blue Note, 1966
- Return to Forever, Spain, Light as a Feather, Polydor, 1973
- John Coltrane, Naima, Live at the Village Vanguard Again!, Impulse!, 1966
- Ornette Coleman, Lonely Woman, The Shape of Jazz to Come, Atlantic, 1959
- Charlie Parker Septet, A Night in Tunisia, A Night in Tunisia (Single), Dial, 1946
- Lawrence Welk, Calcutta, Calcutta (Single), Dot Records, 1961
- Sonny Rollins, Strode Rode, Saxophone Colossus, Prestige, 1957
- Louis Jordan & The Tympany Five, Saturday Night Fish Fry, pts. 1 & 2, Saturday Night Fish Fry (Single), Jump Blues, 1949
- Wayne Shorter, Witch Hunt, Speak No Evil, Blue Note, 1966
- Luis Russell & His Orchestra, The (New) Call of the Freaks, single, Okeh, 1929
- Duke Ellington, Diminuendo and Crescendo in Blue, Ellington at Newport, Columbia, 1956
- Duke Ellington, Concerto for Cootie, Never No Lament: The Blanton-Webster Band, Bluebird, 1940
- Sun Ra and his Myth Science Arkestra, Interplanetary Music, We Travel the Space Ways, Saturn, 1967
- Weather Report, Teen Town, Heavy Weather, Columbia, 1977
- Miles Davis, Miles Runs the Voodoo Down, Bitches Brew, Columbia, 1970
- Art Blakey and the Jazz Messengers, Moanin', Moanin', " Blue Note, 1959
- Ornette Coleman, Voice Poetry, Body Meta, Artists House, 1978
- Albert Ayler Trio, Ghosts: First Variation, Spiritual Unity, ESP-Disk, 1965
- Ornette Coleman, Him and Her, Of Human Feelings, Antilles, 1982
- Charles Mingus, Mode F – Group and Solo Dance, The Black Saint and the Sinner Lady, Impulse!, 1963
- The Thing, Have Love Will Travel, Garage, Smalltown Superjazz, 2004
- Peter Brötzmann Octet, Machine Gun, Machine Gun, FMP, 1968
- Dave Matthews Band, Ants Marching, Live at Red Rocks 8.15.95, RCA, 1997
- The Grateful Dead, Truckin', Europe '72, Warner Bros., 1972
- Radiohead, Life in a Glasshouse, Amnesiac, Parlophone, 2001
- Brad Mehldau, Paranoid Android, Largo, Warner Bros., 2002
- MC5, Starship, Kick Out the Jams, Elektra, 1969
- The Beatles, Any Time at All, A Hard Day's Night, Parlophone, 1964
- Ringo Starr, Postcards from Paradise, Postcards from Paradise (Single), Universal Music Enterprises, 2015
- George Harrison, My Sweet Lord, All Things Must Pass, EMI, 1970
- Danny Elfman, The Theme from Batman, Batman: Original Motion Picture, Warner Bros., 1989
- *NSYNC, I Thought She Knew, No Strings Attached, Jive, 2000