Results for Stand By Me

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Brittany Howard Jaime

Jaime is the debut solo album from Alabama Shakes frontwoman Brittany Howard. Jim is inspired by the group's backstory of going from a high school garage band to festival headliners. But Greg was quick to point out that anybody“who thought this was going to be sort of an ‘Alabama Shakes Revisited’ record is in for a big surprise.”The record is her most personal work, dealing with topics of religion, love, and her role in society. Greg adds that at times it sounds like "D'Angelo's Voodoo"…“there's a depth to it.”Jim says that this is a“record of experimentation… I think that there's some of it that works really really well.”He continues, "Short And Sweet is almost entirely based on her vocal. I think Run To Me, where she's doing some kind of weird almost show tune take on a song like Stand By Me, is a failed experiment, but I applaud her for trying." Both he and Greg agree, though, that "on the whole it's a really exciting record."

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Go to episode 721
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Valentine's Day

It's Valentine's Day, and one of the most important elements to“Set the Mood”is, of course, music. Jim and Greg play their favorite mood setters:

Go to episode 220
news

Music News

In the UK, pop has overtaken rock as the most popular genre of music in terms of chart success. Acts like Ed Sheeran, One Direction and Sam Smith have helped propel pop to its highest sales since 1999, but it's a different story in the United States. In 2014, rock music claimed 29% of sales, while pop only generated about half of that. These numbers have Jim and Greg thinking, are more rock fans buying physical products than fans of other genres of music?

The Library of Congress has selected new music for its National Recording Registry and there certainly is a range. The National Recording Registry is a list of recordings that are“historically, culturally or aesthetically important.”Some of the 2015 selections include Steve Martin's stand-up special A Wild and Crazy Guy, The Miseducation of Lauryn Hill, Joan Baez's self-titled album, the song "Stand By Me" and Sesame Street's "Rubber Duckie."

Go to episode 494

Music News

We're going to be honest. Deaths in the musical world are a mixed bag. On one hand, you're sad about the loss of a great figure and sad for their friends and family. But on the other hand, sometimes it takes a loss to make you stop and reconsider that person's contributions. This week Jim and Greg look back at two wonderful songwriters that died on Monday: Jerry Leiber and Nick Ashford. Leiber is best known as one half of the duo Leiber & Stoller. Ashford, too, was in a duo with his wife Valerie Simpson. Leiber wrote lyrics for a number of hits in the 1950's and 1960's including "Stand By Me" and "Hound Dog," though not originally for Elvis. Ashford & Simpson penned the tunes "Ain't No Mountain High Enough," "Let's Go Get Stoned," and their own hit "Solid." Greg particularly likes the song "California Soul" by Marlena Shaw.

Go to episode 300

Music News

Sad news: singer Ben E. King has died at age 76 in New Jersey. After being discovered in a luncheonette in 1956, King scored a string of hit singles as a member of The Drifters and then as a solo artist. With the unique blend of grit and smoothness in his voice, King bridged the gap between the doo-wop and soul eras – he's the rare artist who's charted in four different decades. He'll forever be remembered for his 1961 solo hit "Stand By Me," but Greg also loves his moving performance with The Drifters on the Doc Pomus-penned "Save the Last Dance For Me."

Last month we also lost Jack Ely of the Portland garage band The Kingsmen, who sang lead on their immortal 1963 cover of Richard Berry's "Louie Louie." Rumors spread that Ely's indecipherable singing might be covering up dirty lyrics, outraging then-Attorney General Robert F. Kennedy and even prompting an FBI investigation. The more prosaic truth may have been that Ely's singing was slurred because his braces had just been tightened. While Ely may not be a household name, without those three chords, there would be no punk rock as we know it.

Go to episode 493