Results for Scott Asheton

interviews

Ron Asheton of The Stooges

A couple of weeks ago Jim and Greg talked about the punk pioneers The Ramones. This week it's time to look at the other pillar of punk: The Stooges. In the late '60s and early '70s the band released three major albums, and then disintegrated into drugs and power struggles. Now, almost 35 years later, three of the four original members reunited to record a new album, The Weirdness. Jim and Greg invite guitarist Ron Asheton to talk about the band's history and how they came back together.

Lead singer Iggy Pop (James Osterberg), guitarist Ron Asheton, drummer Scott Asheton and bassist Dave Alexander formed The Stooges in Ann Arbor, MI in 1967. They were signed to Elektra Records a year later after opening for“big brother band”the MC5. There they had their first self-titled album produced by John Cale of The Velvet Underground. Jim and Greg talk to Ron Asheton about the band's first time in the studio (and their first in-studio strike), and learn about how they developed their signature, primitive sound. They point to the propulsive Bo Diddley-inspired rhythms of songs like "1969."

The Stooges went on to record Fun House, which reflected their love of James Brown and John Coltrane, and then things started to fall apart. Iggy went on to form a relationship with David Bowie (and with heroin), and got the band signed to Columbia Records. Ron Asheton was bounced down to bassist, however. He explains that their subsequent release, Raw Power, is a good album, but not indicative of their true sound.

Go to episode 66
specials

2014 In Memoriam

Jim and Greg remember some great musical figures who died in 2014. Here are just some of the people we'll miss.

Go to episode 475
classic album dissections
The StoogesFunhouseFun House available on iTunes

The Stooges Fun House

For our first Classic Album Dissection of the year, we're looking at The Stooges' second album, Fun House. It was a big left turn after their debut album in 1969, The Stooges, which was produced by John Cale fresh off The Velvet Underground. Where their debut featured production flourishes like hand claps and sleigh bells, Fun House was recorded almost entirely live to tape- including Iggy Pop's energetic vocals. The album wound up being recorded live because the producer, Elektra staff producer Don Gallucci (who also happens to have played keyboard on The Kingsmen's "Louie Louie,") removed all the sound proofing from the studio in an attempt to replicate the band's live set-up — including giving Iggy a hand-held microphone. With no baffles, there was so much“bleed”that multitracking was impossible. The irony was that the Elektra studios were state of the art to achieve quiet and“clean”recordings for the folk artists who made up the majority of the Elektra lineup at the time. It's easy to draw parallels between the Fun House sessions and Gallucci's experience recording "Louie Louie" seven years prior. Gallucci told Jim and Greg that The Kingsmen weren't happy with Jack Ely's vocals on their first take, but the engineer refused to turn down his vocal microphone (and he lacked the self control to stand further away). The band's creative solution was to suspend the mic above Ely, so he couldn't reach it and his vocals would be buried in the mix. The unintended side effect was a room sound, creating the“goofy party”effect as Gallucci described it.

Jim and Greg both profess to be big fans of The Stooges, though they differ when it comes to Fun House. Greg declares it one of the greatest rock records ever recorded, while Jim says he loves the song-oriented first half, but can't stand the free jazz-influenced second half. Jim cites "Down On The Street" and "Dirt" (and a Lester Bangs essay on Fun House) as crucial to the development of the punk aesthetic. Greg calls the experimental second half of the record an evocative synthesis of rock, funk and free jazz. He insists that the chemistry between Iggy, guitarist Ron and drummer Scott Asheton, bassist Dave Alexander and saxophonist Steve Mackay was so singular, that is may never be replicated.

Go to episode 692
news

Music News

Sound Opinions is sad to report the death of Stooges drummer Scott Asheton at age 64. This punk pioneer took the rhythms of Bo Diddley and the Velvet Underground's Moe Tucker and piled on the aggression, carving out the sound that would soon define punk, Jim explains. Listening to him pummel the drums on early Stooges albums, it's no surprise that Asheton (whose family couldn't afford a proper trap set) first learned to play by banging hammers on oil cans. Along with his brother Ron on guitar, Scott was described as the gasoline that Iggy's match set aflame. Jim and Greg honor the drummer by playing "1969" from the Stooges‘ debut album, a punk inferno that Asheton’s brutal rhythms kept burning bright.

It's the double feature that everybody was waiting for… in 1994. Nine Inch Nails and Soundgarden are teaming up for a summer tour, just in time for the 20th anniversaries of NIN's Downward Spiral and Soundgarden's Superunknown. Soundgarden frontman Chris Cornell says he's always been a NIN fan, and that he'd love to jam with the band onstage—but Trent Reznor might not be so enthused. Back in 2009, Reznor took Cornell to task on Sound Opinions, calling his Timbaland-produced solo album an“impressively bad”sell-out. Maybe NIN will bring on a more suitable collaborator for its next tour.

The 2014 SXSW Music Conference, normally a festive event, which brings tens of thousands of people to Austin every year, will unfortunately be remembered as a tragic one. A horrific car crash early Thursday morning resulted in the death of three people and the injury of many more. Also making headlines was Lady Gaga. The pop diva not only performed at a contoversial event for a snack food company, she gave the keynote address. According to Gaga, without sponsors, there wouldn‘t be music events; labels can’t afford it. A surprising assertion from a woman who later touted her music industry rebellion.

Go to episode 434