Results for Paul's Boutique

interviews

DJ Shadow

This week Jim and Greg are joined by John Davis, otherwise known as DJ Shadow. For listeners not familiar with DJ Shadow, he is an innovative and experimental hip-hop producer with an ability to infuse other music genres, sounds and samples into his work. For many, his album Entroducing is one of the landmark works of the last decade. His recent album The Outsider was not received as well. (Check out Jim and Greg's review). Our hosts ask Shadow about the scrutiny and why he chose to compose an album on his own instead of emphasizing samples. Fans, even those who were disheartened by The Outsider, will appreciate his desire to stretch himself and make something completely new.

As mentioned above, The Outsider put more of the focus on guest vocalists and rappers than on samples. But with the current state of the music industry, Sound Opinions can't blame him. Greg asks the DJ what it was like to make music in the post-Paul's Boutique era, when copyright laws are making life more difficult for sample-based musicians. DJ Shadow explains that for him, using other people's music is both a way to be nostalgic and a way to call attention to music that people wouldn't hear otherwise. For more insight into copyright and copyright culture, check out Jim and Greg's interview with legal expert Lawrence Lessig.

Go to episode 50
dijs

Greg

“Egg Man”The Beastie Boys,The Beastie Boys

Greg's Desert Island Jukebox selection this week was inspired by his discussion with Professor Lawrence Lessig. Thinking about fair use, free culture and digital copyright law got this rock critic downright nostalgic for the days when great art was made using other people's art. "Egg Man" by The Beastie Boys is a perfect example of this. The song was released on Paul's Boutique, the follow-up to the hip hop trio's successful (albeit frat boy-ish) debut Licensed to Ill. The group linked up with production team The Dust Brothers to create a sonic collage of samples, beats, loops and raps. In "Egg Man" alone, astute listeners can hear parts of the songs "Superfly" and "Bring the Noise", bits of dialogue from Taxi Driver and E.T., as well as the film scores to Jaws and Psycho. Sadly, shortly following the release of Paul's Boutique, a series of lawsuits made sampling on this level too risky and too cost-prohibitive. Listening to "Eggman" is enough to send a music fan into mourning. Thankfully the Desert Island Jukebox will keep it safe for posterity.

Go to episode 12

Greg

“Eggman”The Beastie Boys

Greg's DIJ selection this week was inspired by his discussion with Professor Lawrence Lessig. Thinking about fair use, free culture and digital copyright law got this rock critic downright nostalgic for the days when great art was made using other people's art. "Eggman" by The Beastie Boys is a perfect example of this. The song was released on Paul's Boutique, the hip hop trio's follow-up to their successful, albeit frat boy-ish, debut License to Ill. The group linked up with production team The Dust Brothers to create a sonic collage of samples, beats, loops and raps. In“Eggman”alone, astute listeners can hear parts of the songs "Superfly" and "Bring the Noise," bits of dialogue from Taxi Driver and E.T., as well as the film scores to Jaws and Psycho. Sadly, shortly following the release of Paul's Boutique, a series of lawsuits made sampling on this level too risky and too cost-prohibitive. Listening to“Eggman”is enough to send a music fan into mourning. Thankfully the Desert Island Jukebox will keep it safe for posterity.

Go to episode 134
lists

Sophomore Success

They say that it takes a lifetime to make your first record and only a few months to make your second. If that's true, then it's no surprise that most artists face the dreaded“sophomore slump.”But, a rare few second albums meet or even exceed the first effort. Here are Jim & Greg's picks for Sophomore Success Stories:

Go to episode 252
news

Music News

Adam “MCA” Yauch, one of the three founding members of the Beastie Boys, died last week after a three year battle with throat cancer. As Greg notes, the Beastie Boys didn't just transform hip hop. Yauch also transformed himself. After releasing two best-selling albums, License to Ill and Paul's Boutique, Yauch noticed how the group's (sometimes jokey, sometimes offensive) lyrics affected people. He began to incorporate his own political and spiritual views into the Beasties' music, without being too preachy. A great example of this is the 1994 track "Sure Shot."

Go to episode 337