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Drake Nothing Was The Same

With his third and latest album, it's safe to say actor-turned-rapper Drake no longer needs much of an introduction. Drake's latest album Nothing Was The Same has certainly cemented him as a musical force to be reckoned with, but Jim and Greg don‘t agree on why exactly that is. Greg appreciates Drake’s consistently introspective and candid lyrics, while Jim is a fan of the musicianship on the record. On the other hand, he thinks Drake's naval-gazing verses retread ground already covered on Kanye West's last few albums. But, both hosts agree that it was wise of Drake to stick with his long time collaborator, producer Noah“40”Shebib. Greg says Buy It, Jim says Trash It.

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Go to episode 409
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Music News

North Carolina Congressman Melvin Watt has introduced a bill that promises to shake up the radio world. Known as the "Free Market Royalty Act," it would require broadcasters—online and offline alike—to compensate artists and labels whose music they play. (Under the current rules, only the songwriter and rights holder receive the royalties, and terrestrial radio stations get a free ride.) While artists have come out in support of the bill, The National Association of Broadcasters — the U.S. radio industry's lobbying arm—is making its opposition known, warning that this“performance tax”would burden already-struggling radio stations.

Over on the charts, a string of debuts took top slots. Drake's new album Nothing Was the Same exploded at number one, making it the second best-selling debut week for any artist in 2013 (topped only by Justin Timberlake). And, for the second week running, Miley Cyrus'“Wrecking Ball”is number one on Billboard's Hot 100… but is it really? In February, Billboard began including digital streaming in its tally for the Hot 100. So, Miley has YouTube to thank for her success.

In other weird charts news, the finale of AMC's smash hit Breaking Bad aired last week, and it closed with the forgotten Badfinger track "Baby Blue." Hours after the final credits rolled, 5,000 fans had purchased the 1972 song on iTunes, and its Spotify streams skyrocketed by 9,000%. Greg thought it was a good song choice, but Jim says that he would have preferred Bob Dylan's "It's All Over Now, Baby Blue." (Hey, at least it wasn't as painful as The Sopranos farcical "Don‘t Stop Believin’."

Jim and Greg invite you to "Ask the Critic." This week they answer a question from Kevin, a 15-year-old fan from Chicago. Kevin seeks advice on starting a band. Jim and Greg tell him to play from the heart…never mind those stinkin' critics! Got a question for Jim and Greg? Email interact@soundopinions.org or call 888.859.1800.

Go to episode 410