Results for David Lynch


Zola Jesus

Zola Jesus, the alter ego of electronic singer/songwriter Nika Roza Danilova, has already released five studio albums, despite being only 26-years-old. While her first album The Spoils was a lo-fi effort recorded in her bedroom in 2009, Zola Jesus has since developed an expansive, orchestrated sound featuring gloomy synthesizers and string arrangements. In creating her atmospheric songs, she draws equally on her love of classical music, industrial and mainstream pop. Her latest album Taiga is named after the Russian word for“forest,”appropriate as the music manages to evoke the feeling of the deep, dark woods. The woods are, in fact, close to her heart – though currently based in Seattle, Danilova grew up in a small town in northern Wisconsin. She joined Jim and Greg for a conversation and live performance at the Virgin Hotel in Chicago. Zola Jesus discusses the difficulty of seeking out transgressive music in an isolated community, her childhood love of opera, and taking inspiration from filmmaker David Lynch, who also remixed one of her songs.

Go to episode 497
How Big, How Blue, How Beautiful

Florence + The Machine How Big, How Blue, How Beautiful

With the release of their third studio album, How Big, How Blue, How Beautiful, Florence + The Machine have entered into their introspective phase. The album, produced by David Lynch collaborator and stadium rock creator Marcus Dravs, was a product of a dark period lead singer Florence Welch had in her life after a breakup. Greg thinks the songs that are introspective and address her personal life show real growth among the stadium rock songs. He gives this album a Try It rating. Jim on the other hand, hates this album. He doesn‘t appreciate Florence’s propensity for musical bombast and wishes more of the album had the big rock propulsion that the introspective songs lack. He gives the album a Trash It rating.

Go to episode 497
Wait For MeWait for Me available on iTunes

Moby Wait for Me

Moby has a new album out called Wait for Me. The musician has spent a decade trying to follow up the success of his 1999 album Play. And if his last record was a night out on the town, this is the comedown for Greg. He recorded it at home, and you can hear that sense of isolation. Greg's only quibble is the length, so he gives it a Buy It. Jim agrees. He hears the newly independent artist connecting with his roots, again taking inspiration from David Lynch. Moby gets a double Buy It.

Go to episode 190
Dark Night of the SoulDark Night of the Soul available on iTunes

Sparklehorse & Danger Mouse Dark Night of the Soul

A year after it was supposed to be released, Dark Night of the Soul is finally here. The record is a collaboration between producer Danger Mouse, singer/songwriter Mark Linkous, aka Sparklehorse, and director David Lynch. Sadly, Linkous committed suicide last year, as did one of the album's contributors Vic Chestnutt. The finished product is disjointed, according to Greg. There are a couple of standout tracks (no thanks to Lynch), but he can only give it a Burn It rating. Jim agrees, noting that it's sad that Linkous himself wasn't able to sing more of the material. He also gives Dark Night of the Soul a Burn It.

Go to episode 245


Recently Jim re-watched David Lynch's '90s supernatural TV show Twin Peaks. The program uniquely incorporated music to complement its twisted murder-mystery storyline. Singer-songwriter Julee Cruise frequently offered her vocals to the show's soundtrack and collaborated with producer Lynch and composer Angelo Badalamenti on her debut album Floating into the Night. The single "Falling," featuring Lynch's haunting lyrics and Badalamenti's dark composition, was used as the theme song for Twin Peaks throughout its run and remains one of Jim's favorite tracks.

Go to episode 499

Music News

Casey Kasem, a voice of musical authority almost as well known as Jim and Greg, passed away earlier this month at the age of 82. For nearly four decades Kasem counted down the county's biggest hits on his syndicated radio program American Top 40. While Kasem was born in Detroit, he drew on his family's Lebanese storytelling traditions to inject colorful commentary in between the songs on his countdowns. His unique contribution to music history is matched by his contribution to television history – Kasem voiced the character of Shaggy on Scooby-Doo for over thirty years.

Another memorable voice gone this month belonged to contralto jazz vocalist Jimmy Scott. Though small in stature (Scott's growth was stunted pre-puberty by Kallmann's Syndrome), his voice resonated through the decades with artist as varied as Lou Reed, Marvin Gaye, and Frankie Valli. For nearly 66 of his 88 years, though, Scott was unknown to most people, as he was often not credited for his work singing on other people's records. He‘d nearly faded into obscurity when a record executive heard Scott sing at a friend’s funeral and offered him a solo recording contract that brought Scott's powerfully melancholy voice back to move a whole new generation. In his honor, Greg plays the song "Sycamore Trees" performed by Scott in the final episode of the television series Twin Peaks, which was created by another one of Scott's admirers, David Lynch.

Go to episode 447