Results for Chris Mars

classic album dissections
Let It Be (Expanded Edition)Let It Be available on iTunes

The Replacements Let It Be

The Replacements reunion offers us a great reason to revisit our 2007 Classic Album Dissection of the 1984 release Let It Be. Unlike previously dissected albums like Revolver and Songs in the Key of Life, Let It Be wasn't a major critical or commercial success. But, Jim and Greg believe it's one of the greatest albums ever made. It was the 4th album from the Minneapolis band, which was comprised of four“scruffy”members: Paul Westerberg, Bob Stinson, Tommy Stinson and Chris Mars. As Jim and Greg explain, this album put the band on the map and helped to define what we know today as "indie music." To learn more about the making of Let It Be and why it's so special, Jim and Greg talk with longtime Minneapolis music journalist Jim Walsh, author of The Replacements: All Over But the Shouting. To cap it all off Jim and Greg play what they think is the ultimate Let It Be song: Unsatisfied.

Go to episode 408
Let It Be (Expanded Edition)Let It Be available on iTunes

The Replacements Let It Be

This week's feature is a Classic Album Dissection of The Replacements' 1984 release Let It Be. Unlike previously dissected albums like Revolver and Songs in the Key of Life, Let It Be wasn‘t a major critical or commercial success. But, Jim and Greg believe it’s one of the greatest albums ever made. It was the fourth album from the Minneapolis band, which was comprised of four“scruffy”members: Paul Westerberg, Bob Stinson, Tommy Stinson and Chris Mars. As Jim and Greg explain, this album put the band on the map and helped to define what we know today as“indie music.”To learn more about the making of Let It Be and why it's so special, Jim and Greg talk with longtime Minneapolis music journalist Jim Walsh who has written an oral history of the band called "The Replacements: All Over But the Shouting."

Jim, Greg and Jim Walsh discuss what a radical change Let It Be was for The Replacements. While their previous albums were dominated by noisy, silly tracks, this recording sprinkled those trademark Replacements songs ("Tommy Gets His Tonsils Out," "Gary's Got a Boner") with more mature, heartfelt songs penned by Paul Westerberg. An example of this is the track "Unsatisfied," which Jim and Greg both believe is the highlight of Let It Be. Greg describes the song as“emotional bloodletting,”and an indication of how much Westerberg had grown as a songwriter. He also points out how inventive the instrumentation, which includes 12-string and lap steel guitar, was for the band and punk music in general. Jim calls "Unsatisfied" the "Satisfaction" of the post-punk generation. The song asks a question everyone can relate to:“Is this all there is in life?”But, as Jim notes, there was more in store for The Replacements after the release of Let It Be. It cemented them as an important band in rock history, and even though Westerberg and the band didn't go on to achieve similar greatness, Let It Be will go down as one of the great albums in the rock canon.

Go to episode 97