Results for Bronx

interviews

Mark Anthony Neal and Joan Morgan

Next Jim and Greg welcome Mark Anthony Neal, a professor of Black Popular Culture at Duke University and author of New Black Man: Rethinking Black Masculinity, and Joan Morgan, a writer and critic who recently left her post as Executive Editor of Essence Magazine. Joan and Mark have been debating the merits and demerits of hip hop since they grew up as friends and neighbors in "Boogie Down Bronx." And Joan was one of the first music critics to examine the dichotomy of hip hop fandom and feminism in her 1990 Village Voice review of Ice Cube's first classic album AmeriKKKa's Most Wanted. Greg asks Joan what she makes of misogyny in modern hip hop. She explains that it was always there, but the level of it has changed. That concept of women has consumed commercial rap music, so listeners don‘t hear a lot of balance in perspective and tone. She also explains that something like the Ice Cube album is actually easier to wrestle with because it’s a brilliant album. Joan and Mark explain that labels are as complicit as artists in perpetuating a certain level of misogyny since they are the ones actually limiting the range of what you hear in hip hop.

Greg wonders if perhaps the consumer has already begun to speak out. Last year's top hip hop act, T.I., sold 1.7 million copies of his album King. Those aren‘t paltry figures to be sure, but they are definitely much smaller than what we’ve seen from star rappers in years past. Mark sees less revenue and less investment in major-label hip hop as a good thing; it's an opportunity for fresher sounds to come into the marketplace. Jim likens the trend to the development of indie rock in the '80s. That market was also glutted with big name acts like Poison and Mötley Crüe, leaving music fans to seek out underground rock from bands like Hüsker Dü and The Minutemen. Perhaps next we'll enter into an era of indie hip hop.

When asked about the effectiveness of banning certain words in hip hop music, Joan first expresses disappointment in what came out of Simmons and the Hip Hop Summit Action Network's meetings. Without doubting Simmons‘ sincerity, she calls the resulting call to action anemic at best and disingenuous at worst. Mark also grates against people, especially members of the“old guard,”making proclamations about culture or language. This kind of criticism is compounded by the fact that critics of rap music often don’t understand aesthetics. Mark's specific example is the hit hip hop single "In Da Club." People that take issue with the shallow nature of 50 Cent's lyrics may be failing to hear what makes a song like that so popular — the production and the beats. Mark furthers that rulings against specific words don't take into consideration that some rappers can make really complex, compelling statements using racial or sexist epithets. Joan adds that you can also say some really sexist, racist and homophobic things without using any“bad words”at all.

Go to episode 82
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Invasion of PrivacyInvasion of Privacy available on iTunes

Cardi B Invasion of Privacy

Right now, Bronx rapper Cardi B is everywhere after she dropped her debut studio album Invasion of Privacy. Cardi gained notoriety through Instagram and as a cast member on the reality show Love & Hip Hop New York, but her musical prowess and work ethic are at the forefront now (her mega hit "Bodak Yellow" is still a dominant presence on the charts a year after its release.) Jim has some problems with this record because of its frequent usage of the“b word”and excessive mentions of material items. However, he praises Cardi for her intelligent and humorous lyrics and how she is an empowering figure to young people of all colors and gender identities. Jim gives it a Try It. Greg agrees that he could do without some of the commercialization, but highlights the catchy hooks and vibe of the album. He also notes that Cardi B has been discerning with this record, showing the juxtaposition of strength and vulnerability and is the driver's seat of her career. Even if rap isn't your thing, Greg believes Invasion of Privacy is a must-listen and a Buy It.

JimGreg
Go to episode 647
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Greg

“I Met Him on a Sunday”Laura Nyro

Laura Nyro is an artist we don't talk about enough, says Greg. Best known for writing songs that others made famous, like Three Dog Night's "Eli's Coming" and The 5th Dimension's "Wedding Bell Blues," Nyro died young in 1997 at age 49. But Greg insists that her own records are criminally overlooked — namely her fifth, Gonna Take a Miracle, an all-covers album of songs that Nyro listened to growing up in the Bronx. For that album, she enlisted as collaborator (and chef) Patti LaBelle, who in turn brought onboard her Labelle bandmates Nona Hendryx and Sarah Dash. The result was an extraordinary record, produced by the legendary duo of Gamble and Huff. Greg picks the group's (mostly) a capella rendition of The Shirelles' "I Met Him on a Sunday" to jazz up the Desert Island.

Go to episode 441