Results for Abbey Lincoln

lists

Protest Songs

August 28, 2013 is the 50th anniversary of the historic March on Washington and Martin Luther King Jr.'s speech "I Have a Dream." And when Jim and Greg look back at that era, the music stands out as much as the marches and words. During this segment they talk about the role music played in the struggle for civil rights and how gospel and folk influences found their way into the pop charts. Jim and Greg also speak with legendary disc jockey Herb Kent about working at WVON (Voice of the Negro) during this time. Here are the protest songs Jim and Greg highlight:

  1. "Driva Man" by Max Roach & Oscar Brown Jr. featuring Abbey Lincoln, 1960
  2. "How I Got Over" performed by Mahalia Jackson at the March on Washington, 1963
  3. "In the Mississippi River" by the Freedom Singers, 1965
  4. "Mississippi Goddamn" performed by Nina Simone at Carnegie Hall, 1964
  5. "A Change is Gonna Come" by Sam Cooke, 1964
  6. "Keep On Pushing" by The Impressions, 1964
  7. "Freedom Highway" by The Staple Singers, 1965
  8. "Lift Every Voice and Sing" performed by Kim Weston at Wattstax, 1972
Go to episode 404

Music of the Civil Rights Movement

Civil Rights Music

When you think about the Civil Rights Movement of the 1960s, perhaps the powerful words of Martin Luther King Jr. or the horrific images of Emmett Till come to mind. But, for Jim and Greg, the music equally lingers. Songs by Mahalia Jackson, Nina Simone, Sam Cooke and more captured the mood and inspired action. Here are some that continue to resonate:

  1. "Driva Man" by Max Roach & Oscar Brown Jr. featuring Abbey Lincoln, 1960
  2. "How I Got Over" performed by Mahalia Jackson at the March on Washington, 1963
  3. "In the Mississippi River" by the Freedom Singers, 1965
  4. "Mississippi Goddamn" performed by Nina Simone at Carnegie Hall, 1964
  5. "A Change is Gonna Come" by Sam Cooke, 1964
  6. "Keep On Pushing" by The Impressions, 1964
  7. "Freedom Highway" by The Staple Singers, 1965
  8. "Lift Every Voice and Sing" performed by Kim Weston at Wattstax, 1972
Go to episode 534
news

Music News

Just when you thought there weren‘t enough music industry lawsuits, now they’re going after people before they even commit the crime! AEG and Live Nation have jumped on a growing legal trend in the concert world by filing a trademark infringement claim against John Does and Jane Does. In anticipation of a number of concerts across the country, the companies have petitioned the courts to have federal and local authorities seize trademark-infringing gear. Considering last month's news that the RIAA has wasted a ton of dough on lawsuits, this one leaves Jim and Greg scratching their heads.

Jazz great Abbey Lincoln died this week at age 80. Lincoln began as a“Marilyn Monroe type,”but remade herself as an intense, political vocalist after meeting Max Roach. To honor Lincoln Jim and Greg play "Driva' Man," her performance on Roach's 1960 Freedom Now Suite.

Go to episode 247

Music News

After the RIAA started to crackdown on the selling of mixtapes a few months ago, Universal Music has decided to sell legal, corporate sanctioned versions of the tradionally grassroots compilation. These "Lethal Squad Mixtapes," will sell for $5 to $6, but it's unclear whether there is a market for a series like this. Part of the appeal of mixtapes is that they are underground, and, as Greg notes, Universal is about as“street”as the next company they discuss in the news. Fellow corporate giant Walmart announced that it will sell DRM-free downloads at a lower price than competitor iTunes. Jim and Greg are surprised that the music industry would agree to sell their digital songs for lower prices, but Walmart is the world's largest retailer. Also, this fits into the big box store's M.O.: give consumers what they want at lower prices, even at the expense of other retailers.

Auto manufacturers such as Toyota's Scion brand, are planning on getting into the Internet radio business to provide special content to their drivers. Jim and Greg think this is an interesting move considering the recent hikes in webcasting royalty rates and their effect on small webcasters. And, this follows suit with Scion's attempt to establish a“cool”identity for itself. The Toyota brand was one of the few corporate sponsors of the Pitchfork Music Festival, and now they've tapped Vice Records and Ninja Tune Records to program their channel. But, despite this indie pedigree, Greg points out the reality: "You can't buy cool."

This summer's biggest blockbuster movie, Spiderman 3, racked up well over $300 million in the U.S. In fact, there were a number successful films that eclipsed the $300 million mark. The music industry, however, cannot boast such impressive figures. They were banking on big name releases from the likes of 50 Cent and Kelly Clarkson, but of those two, one got bumped, and the other tanked. The number one selling album of the year so far is from an American Idol rejectee Chris Daughtry, but that was actually a 2006 release. So, in light of these industry discrepancies, Jim and Greg wanted to invite New York Times music reporter Jeff Leeds on to the show to discuss the summer season. Jeff explains that movie studios have many sources of revenue from a film like Spiderman (DVDs, toys, etc), but record labels depend on a single revenue stream. Their only saving grace is concert sales; a live music experience, like a live movie screening, can't be replicated with a download. These three critics are curious to see what big fall releases have to offer.

Famed jazz percussionist Max Roach died last week at the age of 83. Roach was the last link to the Bebop era of jazz, but Jim and Greg explain that his love of music and his style of playing continually evolved. Greg explains that it's impossible to talk about rock drumming and hip hop without mentioning Roach. Unlike some jazz purists, the musician saw those contemporary forms as natural extensions of African music, like jazz. You can hear his unique style in the composition "Freedom Day," which also features vocals from his wife Abbey Lincoln.

Go to episode 91