Johnny Cash’s At Folsom Prison & Opinions on Black Kids

Jim and Greg honor country music maverick Johnny Cash with a Classic Album Dissection of his legendary live recording At Folsom Prison, now 40 years old.

Sound Opinions dissects Johnny Cash Live at Folsom Prison
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First up in the news is the report that both the House and Senate have reauthorized the Higher Education Act with new provisions that essentially make colleges akin to cops. The bill requires universities to implement tougher traffic filtering technologies in order to deter p2p filesharing. Jim and Greg think any attempts to deter filesharing will be as effective as attempts to curb cheating, binge-drinking and plagiarizing.

Jim and Greg recently spoke with Big Champagne's Eric Garland about artists benefiting from filesharing and album-leaking. Labels have now caught on, but they don't want you to know it. When a track from the forthcoming Buckcherry album was leaked on the internet, the band and its label were quick to complain. But, according to a Wall Street Journal  article, they were the source of the leak. It's an old PR stunt for the hip hop world, but now mainstream, albeit "boneheaded" acts like Buckcherry have caught on. Get ready for more faux file-leaking sob stories.

In other music news, music retailing giant iTunes may be getting some competition soon. Amazon launched a digital music service less than a year ago and has yet to make a dent in that market. Now the website has teamed up with MySpace to offer music fans a way to sample and then purchase individual songs and albums. The tracks will be DRM-free, and users won't have to launch a separate application to purchase music. Jim is quickly running to add the Amazon CEO as his MySpace friend.

There's never enough Abba on Sound Opinions, so we were excited when the Swedish pop quartet appeared in the headlines. The band's greatest hits album Gold recently went to #1 in the U.K., breaking the record for the oldest band to ever hit the top of the charts. The reason for the resurgence is the release of the movie Mamma Mia, but hopefully the legacy of the band will not be tarnished by the film.

Frequent chart-topper Chris Brown is also making news this week. His hit single "Forever" has made it to the Top 10 , but little did fans know it was written as a Wrigley gum jingle. For a long time artists have lent their music to advertising companies, but as far as Jim and Greg can tell, this is the first time a song was developed initially as an ad campaign. Is it just a chicken/egg argument? Or does the commercial intention matter to a song's integrity? Let us know what you think.

The final discussion in the news is about the proliferation of '90s nostalgia in the music industry these days. Alternative-era artists like Smashing Pumpkins, Liz Phair and Sonic Youth are all drawing from their former glory days and cashing in. Jim believes such nostalgia is anathema to the alternative philosophy, and doesn't think touring behind one singular album is much better than a greatest hits concert. Greg is surprised that Jim is surprised, citing the Sex Pistols' 1996 tour as the day he gave up on any notion of rock-era integrity.

Johnny Cash At Folsom Prison

At Folsom Prison (Live)

Live at Folsom Prison has been regarded as one of the greatest live recordings in rock and roll history and marks a point of redemption in Johnny Cash's long career. As Greg explains, he was considered by many to be a has-been. But, in 1968 Columbia producer Bob Johnston took Cash up on his long-time idea of recording at a prison. The singer had previously played shows in prisons, but had not recorded. It's a fitting location for the "man in black," since he had flirted with trouble and had spent some time in jail. He also went through a divorce, developed a drug problem, and seemed to be all but finished in the music industry. But one of Folsom's guest vocalists, June Carter-Cash, played a huge role in helping Johnny Cash get his life back on track. Cash won the Album of the Year at the 2nd annual Country Music Awards for Folsom Prison, and it helped make him a huge star again.

The location of the recording was a key factor to the album's success. Folsom Prison was not a friendly place. As Jim describes, it was an ugly, smelly, scary "dungeon" where law-abiding citizens would not feel very comfortable. But Cash wanted to record an album there because he showed empathy toward the prisoners, and the performer's cool demeanor brought out an energy and excitement in the audience that hadn't been heard in live recordings before. In addition to June Carter, Cash's band at Folsom consisted of the Tennessee Three, Carl Perkins and the Statler Brothers.

Jim and Greg pick out the key songs on At Folsom Prison to wrap up the dissection. Greg goes with "25 Minutes to Go". It was written by Shel Silverstein from the perspective of a convict on Death Row who is counting down the minutes of his life. You can hear the crowd's enthusiastic response throughout the song.

Jim discusses "Greystone Chapel", the last song on the album. It was written by Glen Sherley, a former inmate at Folsom. The Reverend Gresset introduced Cash to the song the night prior to the performance, and it moved Cash so much so that he decided to make it his closing song.

Throughout Johnny Cash's entire career, he walked a line between sinfulness and redeeming grace. At Folsom Prison highlights Cash's artistic intentions, not to preach at the prisoners of Folsom, but to relate to their situations. He was singing as one of them, a sinner, who would rather hang out with prisoners than "some of the 'saints' he'd met."

Forty years later the album is still inspiring artists such as Reverend Horton Heat, Pine Valley Cosmonauts, and Uncle Tupelo.

One Day as a Lion Zack de la Rocha

One Day As a Lion - EP

Ever since Zack de la Rocha quit Rage Against the Machine he has been talking about his upcoming solo album. It's been eight years, but an EP has finally been delivered called One Day as a Lion. De la Rocha brought Mars Volta drummer John Theodore onto the record for percussion, and de la Rocha plays keyboard under his vocals. The lyrics are as politically charged as ever, but Jim is sick of the bombastic silliness of de la Rocha's "revolutionary nonsense rhetoric" and says that the lyrics warrant a Trash It rating. But he gives the music a Try It for the drums alone. Greg gives the album a Try It, saying that it's nothing that hasn't been done before. He likes the sound of the album, but thinks that a similar artist like Saul Williams does the style much better.

Partie Traumatic Black Kids

Partie Traumatic

Black Kids released four songs last year on their MySpace page, became one of the most hyped bands at last year's CMJ music conference and garnered huge praise from many critics. Their first full-length album is called Partie Traumatic. Jim hates the "sneering hipness" and "desperate sexuality" the album emits. Greg thinks Black Kids isn't going to last much longer, acknowledging the backlash that the album has already incurred. He doesn't understand why the band's singer, Reggie Youngblood, "a black kid from Florida," tries to sound like The Cure's Robert Smith. They both find the album insincere and annoying, and it gets two Trash Its.

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