Results for The Arctic Monkeys

reviews
Favourite Worst NightmareWhatever People Say I Am, That's What I'm Not available on iTunes

The Arctic Monkeys Whatever People Say I Am, That's What I'm Not

The Arctic Monkeys is one of the biggest success stories of recent years. The English group's debut album Whatever People Say I Am, That's What I'm Not, was the fastest selling album in U.K. history. Their U.S. sales were not as strong, but people were still anxious to hear what the group would do for its sophomore act. In fact, they face the same scrutiny that hot debut bands like Franz Ferdinand and The Strokes had to overcome. Neither Jim nor Greg think that their new album, Favourite Worst Nightmare, will be any more successful stateside than the last, but both urge listeners to give it a listen. Greg compares lead singer and chief songwriter Alex Turner to some of the best British wits including Ray Davies and Damon Albarn, and likens his songs to short stories. Jim agrees, calling Turner an astute social critic. The Arctic Monkeys may not be the phenomenon it once was, but Favourite Worst Nightmare gets two Buy Its.

JimGreg
Go to episode 75
Whatever People Say I Am, That's What I'm NotWhatever People Say I Am, That's What I'm Not available on iTunes

The Arctic Monkeys Whatever People Say I Am, That's What I'm Not

One of the albums Jim and Greg review this week made so much news that they need to discuss it at the top of the show. The British band The Arctic Monkeys broke records this week when its debut album became the fastest selling in British chart history. While neither Jim nor Greg can fully comprehend this phenomenon, they both like the record. Jim gives the album a Buy It rating, but admits that The Arctic Monkeys are not nearly as amazing as the hype might have you believe. Greg likes lead singer Alex Turner's Streets-like approach to lyrics, but doesn't think the Arctic Monkeys are a great band yet. He gives Whatever People Say I Am, That's What I'm Not a Buy It too.

The Arctic Monkeys are not the first British band to face this kind of hype. There have been a number of UK bands who achieved rave reviews and huge success but were never able to break out across the pond. A look at lists compiled by British media outlets The Guardian and NME demonstrate this point. Bands like The Jam, The Stone Roses, The Libertines, Blur and The Smiths are up there with The Beatles and The Clash in the minds and hearts of British fans and critics, yet none of these groups achieved any major fame in the States. One theory given by Jim: Americans are discerning of imports ever since the first "British Invasion." Greg points out that there was a second British invasion in the '80s, and wonders if it is the very Britishness of some of these bands that prevent American fans from identifying. Or perhaps some tastes just don't translate.

JimGreg
Go to episode 10
album art

Test Icicles For Screening Purposes Only

For Screening Purposes Only by Test Icicles is the next album up for review. This UK trio joined the Domino family along with successful acts like Franz Ferdinand, Clinic, Sons and Daughters and the most recent hype, The Arctic Monkeys. Many of these acts are considered the "New Wave of New Wave" — yet Test Icicles seem to be derivative of a slightly later period. For Greg, it's too much of a good thing. For Jim, though, it's too much of everything. For Screening Purposes Only gets a "Burn It" from Greg and a "Trash It" from Jim.

JimGreg
Go to episode 9
lists

The Best of 2007… So Far

Jim and Greg just couldn‘t wait until the end of the year to start picking their favorite albums, so they’ve decided to name their 2007 mid-year best.

Go to episode 81
features

SXSW '06

This week on the show, Jim and Greg share their recent experiences at the SXSW Festival in Austin, Texas. Our hosts joined over 10,000 other festival registrants to attend music industry panels, conduct interviews, and most importantly, see new bands. In the four days they were there, Jim and Greg heard a lot of music. They share some of the best with you.

  • First is The Dresden Dolls. Jim went to see the Boston group and fell in love with their blend of German cabaret performance style and '80s synth-pop melodies. You can hear a little bit of "Modern Moonlight" off their upcoming release, Yes Virginia.

  • Next up, Greg discusses one his finds: Art Brut. He enjoyed this British band's straightforward melodies, catchy choruses, and witty monologues so much that he saw them twice in Austin. This critic even scrawled“New Kings of Rock”in his notebook following one performance. Jim joined him to see the band at the Pitchfork/Windish party, where they shared a bill with RJD2, Spank Rock, and one of Greg's other discoveries, Swedish indie pop quintet Love is All. Art Brut, who just recently played a sold-out show at the Metro, entertained the entire staff so much that they were invited to appear on the show the week after the festival wrapped. Listen for that interview in the weeks to come.

Beastie Boys at SXSW 2006

  • In between running from show to show, Jim and Greg took a brief moment to sit down with The Beastie Boys. The hip-hop pioneers were down in Austin to promote their recent concert film, Awesome; I Fucking Shot That, and spoke to Jim and Greg about making the movie, sampling, copyright laws, and the longevity of their career.

  • Back to the rundown of our hosts‘ favorite Austin discoveries. Jim’s next pick, The Black Angels, actually hails from the Texas state capital. After reading Jim's book on psychedelic rock, members of the band contacted him and explained that they were right up his alley. They were right. Jim, who caught some of the dark, Velvet Underground-influenced music in the sterile environment of Austin Convention Center, was totally blown away. To describe the band, he quotes their website which begs the listener to "Picture a red moonlit night, deep in the heart of Texas, with the ghosts of Nico and Timothy Leary being called back from the dead to guide you on a journey through Heaven & Hell and back again." Whoa, man…

  • Greg loves coming to Austin to see bands that may not get to the States otherwise. One such band is Serena Maneesh. The Norwegian group is one of many contemporary bands compared to My Bloody Valentine. Often referred to as“shoegazers,”these musicians are often literally standing, staring at their shoes, while producing a heavy, overdriven, almost symphonic guitar sound. Serena Maneesh is certainly channeling this influence — however, as Greg explains, this band is also quite performative. Our host describes how the lead guitar player, theatrically dressed as a gypsy showman, was joined by an“Amazonian”bass player. Only during SXSW can you see this in Texas, notes Jim.

Tim Fite at SXSW 2006

  • We next hear some audio of Jim recorded down in Austin. He is describing one of his favorite acts: Tim Fite. Some may remember Fite's previous incarnation in Little T and One Track Mic and their one hit, "Shaniqua." But after getting signed to Atlantic and touring with Outkast, Little T went nowhere. Now, Fite has reinvented himself as a 1920s southern preacher/rapper who combines an O Brother, Where Art Thou? sound with irreverent lyrics and hip-hop. Gone Ain't Gone is forthcoming on Anti-/Epitaph, making Fite label mates with Neko Case and Blackalicious.

  • The Swedish band Love is All (mentioned above) is another of Greg's discoveries. This Swedish indie-pop group is one of many European bands who are rediscovering American music. This band is particularly influenced by musicians like James Chance and the Contortions and Lydia Lunch who fused both jazz and punk. Love is All became Greg's go-to CD while he was driving around the city of Austin.

  • Listeners can now hear what Jim and Greg really sound like at SXSW: definitely over-tired, and perhaps over-served. Our hosts caught up with Sound Opinions H.Q. immediately after going to see Rhys Chatham at Austin's Central Presbyterian Church, an experience they described as slightly mind-blowing. The avant-garde guitarist has basically been living in exile in Paris for the past decade, but emerged in Austin with a newly-formed guitar army: eight guitarists including Doug McCombs of Eleventh Dream Day and Tortoise, Ernie Brooks of The Modern Lovers and Thurston Moore of Sonic Youth. Jim reports that Chatham recently received a grant allowing him to realize his long-fantasized 100-member guitar ensemble.

  • One of the SXSW events Greg always tries to attend is Alejandro Escovedo's Sunday night show. This year Grady was one of the opening acts. Greg found their huge, overpowering sound on par with that of Chatham's guitar army. He also compares their sound to that of ZZ Top's early days. Listen for yourself as Greg plays a sample of their 2004 release Y.U. So Shady?

  • White Whale is Jim's final discovery. He caught the band at the Merge showcase, a label that usually delivers for this critic. He was again not disappointed. White Whale, whose members have been in a number of other indie rock bands including Butterglory, Three Higher Burning Fire and The Get Up Kids, impressed Jim with more than just its name. He found their sound to be a mix of Nick Drake and Pink Floyd, and also reminiscent of Elephant Six bands like Apples in Stereo and Neutral Milk Hotel. So far their music can only be heard on Myspace.com, but White Whale may turn out to be another SXSW success story.

  • Greg's final pick is a band called Katahdin's Edge. He caught the group after originally trying to see a Finnish band who couldn‘t make it into the country. He was blown away, and despite getting thousands of free CDs for his day job, Greg was compelled to put down his own money for a Katahdin’s Edge album. This trio from Providence is an example of how jazz and rock can fuse in a great way. Rather than take an academic approach to jazz, Katahdin's Edge had a rock and roll, party edge that Greg really appreciated.

  • Greg was also caught on tape before and after seeing the biggest hype of this year's festival: The Arctic Monkeys. This has been quite the year for the young British band. In January they broke records for first-week sales in the U.K. with their debut release Whatever People Say I Am, That's What I'm Not. In addition, they‘ve been proclaimed by many in the press as the greatest band to emerge from the U.K. in years. That’s a lot for a new band to live up to, but Greg was pleased with what he saw. While the Arctic Monkeys may not be what their hype claims, the music was well-rehearsed, packed with rhythm, and downright“ferocious”according to our host. Plus, the lead singer already seems to have the rock and roll attitude down.

Go to episode 18
news

Music News

This year's Mercury Prize winner has just been announced. The Arctic Monkeys will take home the British music prize, following in the footsteps of PJ Harvey, Dizzee Rascal, Badly Drawn Boy and Pulp. The prize is usually awarded to a non-commercial artist as an alternative to the more mainstream Brit Awards. Jim suggests that the U.S. equivalent would fall between the Grammy Awards and the more-eclectic Village Voice Pazz and Jop Critics Poll. The Arctic Monkeys were a surprising choice because they were perhaps the most obvious candidates. To say they were a huge phenomenon in the U.K. is an understatement — their album, Whatever People Say I Am, That's What I'm Not, was the fastest selling debut album in UK history. However, despite high profile appearances on Saturday Night Live and at the SXSW Music Conference in Austin, they did not wow American audiences on the same level. But Jim and Greg both gave the record a Buy It rating in their review.

Also making headlines is soul legend Ronald Isley. The Isley Brother, also known as“Mr. Biggs,”has been convicted of tax evasion. He was sentenced to three years in federal prison and ordered to pay $3.1 million to the I.R.S — the maximum sentence he could have received. Jim and Greg had hoped that the judge would show some leniency to the musician, who recently suffered a stroke and a bout with kidney cancer, and is expecting a baby in January. Our hosts also cite Isley as one of the great talents of our time, noting that he has had a major hit in every one of his six decades as a performer. They suggest that it is Isley's friend, R. Kelly, who deserves the harsh hand of the law.

While“Mr. Biggs”can stay“Mr. Biggs,”even in prison,“Diddy”can no longer be“Diddy”in the U.K. The artist formerly known as P. Diddy, Puffy, Puff Daddy, and Sean Combs has agreed to drop the Diddy name as part of a legal settlement with a London-based producer named Richard“Diddy”Dearlove. Diddy became Diddy in 2001, but Dearlove had a hit under the name in 1997. Combs, however, announced that he can now add a new name to the list: Diddy is going to be a daddy.

Go to episode 42

Music News

Earlier this week the music label EMI agreed to drop Digital Rights Management (DRM) restrictions from its digital music files. In addition, the files will be of a higher quality than those available now. Essentially this means that consumers who purchase EMI tracks from bands like The Arctic Monkeys, Beyoncé, and Nelly Furtado can play them on any player, regardless of where they purchased it. But, there is a catch: these digital songs will be almost 30% more expensive.

EMI's announcement seems to be a response to a plea that Apple head Steve Jobs made earlier this year for all record companies to remove DRM from their digital music. And while these songs will be available for purchase and download from all online retailers, it's interesting to note how much Jobs is thrusting himself into the music industry. In fact, he was posed right next to EMI chief Eric Nicoli for this announcement.

Go to episode 71