Results for Muscle Shoals
Despite its location in a relatively obscure part of the South, Muscle Shoals, Alabama was home to some of the greatest studio musicians of the 1960's and 1970's. One of those pros was our guest Spooner Oldham, keyboardist and songwriter at FAME Studios. Spooner played piano and organ on hits like "Steal Away" by Jimmy Hughes and Percy Sledge's "When a Man Loves a Woman." Pretty soon, record executives from the North were sending artists down to record with the excellent house band at FAME. Spooner provided the drive behind Wilson Pickett's "Mustang Sally," and even rescued a stagnating Aretha Franklin session by coming up with the iconic keyboard line for "I Never Loved a Man (The Way I Love You)."
Along with his collaborator Dan Penn, Spooner Oldham wrote huge hits like "Cry Like a Baby" by The Box Tops and "I'm Your Puppet" by James & Bobby Purify. After leaving Muscle Shoals, he played with Neil Young, Bob Dylan, Bobby Womack, and more, and continues to perform with acts like Cat Power and Drive-By Truckers. In 1972, Spooner recorded his own album Pot Luck. It was largely forgotten except by cult record collectors, but now is being honored with an overdue reissue from Light in the Attic.Go to episode 515
It's not often we get to share a room with a genuine national treasure. Jim and Greg were honored to speak with gospel and soul legend and Civil Rights icon Mavis Staples. (Greg is also the author of Mavis's 2014 biography I'll Take You There). Beginning her career at age eleven as the lead singer of her family band The Staple Singers, Mavis has inspired countless artists over the past half century.
Her father Pops Staples learned guitar at the feet of Charley Patton in Dockery Farms, Mississippi before moving to Chicago. There, he formed The Staple Singers, a gospel vocal group featuring his children – Pervis, Cleotha, Yvonne, and Mavis taking the lead. The combination of Pops's blues guitar, Cleotha's counterpoint, and Mavis's precociously powerful voice launched them into national attention with their 1956 hit "Uncloudy Day." Soon, the Staple Singers were at the forefront of the Civil Rights Movement, often serving as the opening act to Martin Luther King, Jr. (We'll cover that period in more detail in a second episode with Mavis).
The group had its greatest success once it signed to Stax Records and began recording with the famed session musicians in Muscle Shoals, Alabama on hits like "I'll Take You There." That's also when Mavis began her solo career – reluctantly at first, but still going as strong as ever today. Her latest album Livin' on a High Note found her working with songwriters like Nick Cave, tUnE-yArDs, and Neko Case. Mavis offers Jim and Greg an intimate look at growing up on Chicago's South Side, forming the Staple Singers' signature sound, meeting Mahalia Jackson, and collaborating with Curtis Mayfield and Prince.Go to episode 593
The term "Southern rock" brings images of long hair, confederate flags and Lynyrd Skynyrd to mind. But when it comes to the Drive-By Truckers, you have to push that all aside. Patterson Hood, son of Muscle Shoals bassist David Hood, and Mike Cooley formed the group in Athens, GA in 1996, and since then they've consistently toured, recorded and pushed the envelope of Southern sound. In 2001 people took notice with Southern Rock Opera. Now three members of the band, Hood, Jay Gonzalez and Shonna Tucker, stop by the studio to perform new tracks from Go-Go Boots, as well as an Eddie Hinton cover.Go to episode 282