Results for jazz-fusion

interviews

Andy Summers of The Police

This week Jim and Greg sit down with Andy Summers, former guitarist for 1980s supergroup The Police. Andy was in town promoting his latest tome, "One Train Later." It's a memoir — a good one according to Jim and Greg — about his years before and during the Police era. Andy is honest and frank in the book, and it comes across in the interview. Our hosts start things off by asking Andy about the origins of the band and The Police's distinctive sound. Andy was largely influenced by jazz growing up and firmly established himself as a professional musician well before he helped form The Police. He had a brief stint with the jazz fusion/progressive rock band Soft Machine and did session work during the 1970s for artists like Neil Sedaka and Joan Armatrading. His Police band mate, drummer Stewart Copeland also came from a musically trained background. Jim points the irony in having two highly trained musicians emerge out of the British punk scene — a scene that demanded unpolished musicians and hated solos. Andy considers The Police to have been fake punk band.

Although Jim did not get to catch The Police at their first US gig at CBGB's, he did see the band shortly after at New York's The Bottom Line. The young self-proclaimed“drum geek”strategically sat behind Stewart Copeland's drum kit. He discovered The Police's disdain for each other, noting the“nasty, nasty”words Stewart had written in magic marker on his drum skins cursing the other band members. Jim asked Andy what it was like to work in such acrimonious conditions, especially with the rising megastar Sting. Summers says nothing negative about his experience and feels the fights helped fuel the creativity of the band. Greg reiterates that although several people over the years mistake The Police as Sting's band, Andy and Stewart really shaped the sound. Andy concurs, detailing how songs like "Walking on the Moon" and "When the World is Running Down" involved all three members of the band.

As the interview nears a close, Jim asks the question that burns in the brain of many a Police fan: Will The Police reunite? Andy is up for reuniting and is in contact with the other two members (he had dinner with them this year) but he won‘t sit around waiting for the phone to ring. He’s busy with his own career, producing solo albums, and working as a photographer and bandleader. The closest the Police came to a reunion was in 2003 for the Rock and Roll Hall of Fame induction ceremony. A reunion still sounds possible — let's hope this former Sting fan doesn't squelch such a possibility.

Go to episode 53
specials

Rock Fan's Guide to Jazz

Charles Mingus If you've had trouble getting into jazz, you are not alone – even Jim and Greg took a while to figure it out. Jazz is an iconic product of the African-American experience, but there are a variety of barriers of entry that rock listeners often have to overcome. To begin with, jazz has existed for twice as long as rock, meaning that there's an intimidating ocean of music to navigate. That's why we've enlisted the help of jazz writer and curator John Corbett to create the Rock Fan's Guide to Jazz. John refutes the notion that jazz is“fuddy-duddy”music from a bygone era. Instead, it's an exhilarating, joyful genre that continues to develop today.

There are many potential entry points to jazz that share certain sensibilities with rock music. The hard bop stylings of Sonny Rollins, for example, have a sense of forward propulsion familiar to rock fans. Even though some listeners think of swing as polite, genteel music, John can cite examples of Duke Ellington recordings that have the verve of any good rock guitar solo. Rock and jazz intersect in a very real sense in the jazz-fusion records of Miles Davis in the late 1960s. And bands from The Velvet Underground to Sonic Youth have drawn inspiration from the boundary-pushing free jazz of Ornette Coleman and Albert Ayler. But jazz is really best appreciated live, so fortunately there are many exciting young jazz artists performing today who exhibit a punk rock sensibility.

Go to episode 491
reviews
Random Access MemoriesRandom Access Memories available on iTunes

Daft Punk Random Access Memories

After eight years without a proper studio album, Daft Punk - the DJ duo of Guy-Manuel de Homem-Christo and Thomas Bangalter - is back with Random Access Memories. The robots get an assist on album No. 4 from an impressive roster of live musicians, including disco greats Nile Rodgers and Giorgio Moroder. So what does the biggest act in EDM today think of the dance music boom it's spawned? Greg says judging by Random Access Memories, the robots aren't big fans of modern EDM. This album sees Daft Punk connecting with its roots, Greg says, embracing live performance, disco, and jazz-fusion in an attempt to give computer music some soul. There's no question R.A.M. has major quality control issues, Greg says, but it's an ambitious album well worth a Try It. Jim agrees. At a time when EDM artists are trying to sound like machines, he applauds Daft Punk's effort to make machines sound human. And it doesn't hurt that they give younger EDM fans a history lesson in the bargain. Jim gives Random Access Memories a Try It.

JimGreg
Go to episode 391
dijs

Greg

“Right Off”Miles Davis,Miles Davis

Greg has traveled by“bathysphere”to the desert island to pop a quarter in the jukebox. And right now he's in a Miles Davis kinda mood. Specifically, Greg has been going back to Davis' jazz-fusion period and his 1971 release A Tribute to Jack Johnson. He had perfected his studio language with Teo Macero, and you can hear that in just a snippet of the almost half hour track "Right Off."

Go to episode 388
news

Music News

Hard rock gods Led Zeppelin announced its surviving members Robert Plant, Jimmy Page and John Paul Jones will perform live for one night only at England's 02 arena. The missing John Bonham drum slot will be filled by his son Jason Bonham. This event is all for charity. It's in honor of the late Atlantic Records co-founder Ahmet Ertegün. All proceeds will go towards the Ahmet Ertegün Education Fund. Robert Plant's altruism and high regard for Mr. Ertegün must be quite substantial considering he had this harsh thing to say back in 2002 about the band reuniting. Jim points out that nowadays no band ever stays broken up and predicts that once the band finishes this gig, they'll launch a world tour. Zep heads everywhere are crossing their fingers.

"Amateur" singer-songwriter Marié Digby rose to pop success this summer from her“DIY”video of her covering Rihanna's "Umbrella" on acoustic guitar. The video has been viewed 2.3 million times and launched her into US radio and iTunes success. It turns out her entire“amateur”marketing campaign was orchestrated by the not-so-amateur Hollywood Records. The Disney owned Hollywood Records signed Digby back in 2005 — well before she/the machine posted her YouTube video. The fact the she was on a major label was kept hidden until only very recently. Greg points out how this shows you how much a sham the major labels have become when Digby herself states she didn't think people would like her if they knew she was on a major label. Greg feels now that the artifice is exposed, her 15 minutes are over.

Pioneering jazz keyboardist Joe Zawinul died recently at the age of 75. Zawinul was one of the founding members of the 1970s jazz fusion band The Weather Report. According to Jim and Greg, the band was the pinnacle of the jazz fusion sound, a melding of rock ‘n’ roll and jazz. Zawinul introduced the synthesizer and electronic instrumentation to jazz. He helped pioneer the jazz fusion genre with Miles Davis on Davis's In a Silent Way and Bitches Brew. Jim and Greg also ask listeners not to blame Zawinul and Davis for where the jazz/rock fusion led to. As a tribute to Joe Zawinul, Jim and Greg play The Weather Report's most iconic song, "Birdland."

Go to episode 94