Results for early '70s
Ron Asheton of The Stooges
A couple of weeks ago Jim and Greg talked about the punk pioneers The Ramones. This week it's time to look at the other pillar of punk: The Stooges. In the late '60s and early '70s the band released three major albums, and then disintegrated into drugs and power struggles. Now, almost 35 years later, three of the four original members reunited to record a new album, The Weirdness. Jim and Greg invite guitarist Ron Asheton to talk about the band's history and how they came back together.
Lead singer Iggy Pop (James Osterberg), guitarist Ron Asheton, drummer Scott Asheton and bassist Dave Alexander formed The Stooges in Ann Arbor, MI in 1967. They were signed to Elektra Records a year later after opening for“big brother band”the MC5. There they had their first self-titled album produced by John Cale of The Velvet Underground. Jim and Greg talk to Ron Asheton about the band's first time in the studio (and their first in-studio strike), and learn about how they developed their signature, primitive sound. They point to the propulsive Bo Diddley-inspired rhythms of songs like "1969."
The Stooges went on to record Fun House, which reflected their love of James Brown and John Coltrane, and then things started to fall apart. Iggy went on to form a relationship with David Bowie (and with heroin), and got the band signed to Columbia Records. Ron Asheton was bounced down to bassist, however. He explains that their subsequent release, Raw Power, is a good album, but not indicative of their true sound.Go to episode 66
Jim gets to unleash his inner thirteen-year-old this week as he and Greg sit down with Alex Lifeson and Geddy Lee of the Canadian prog-rock legends Rush. All three members of Rush are known for their ridiculous virtuosity on their instruments – drum god Neil Peart, Lifeson on guitar, and Geddy Lee, who manages to play bass and synths and sing simultaneously. Lee and Lifeson met in junior high in Ontario and released a couple hard rock albums with drummer John Rutsey in the early '70s. But the band really hit its stride when Rutsey was replaced by Neil Peart, who also became the primary lyricist. They began crafting epic progressive rock concept albums like 2112 and Hemispheres featuring side-length sci-fi suites. The albums Permanent Waves and Moving Pictures brought Rush radio hits in the early '80s, and the band moved into a synth-driven phase. Over the ensuing decades, Rush has continued to evolve its sound and adapt to new styles, while growing a cult fanbase that is intense to say the least. The band just celebrated its 40th anniversary with a tour and live album called R40 Live. Geddy Lee and Alex Lifeson discuss the band's evolving styles, the existence of female Rush fans, and whether the band will continue.Go to episode 535
A few weeks ago Greg recommend our Rock Doctors patients check out Furr by Blitzen Trapper. Now we have the band live in our studio for a conversation and acoustic performance. The Portland indie rock band, led by Eric Earley, has been gaining momentum after touring with Sub Pop label mate Fleet Foxes. Blitzen Trapper's music is often compared to classic American rock of the late '60s and early '70s. But as Earley explains, every musician is influenced by the past. And despite a familiar sound, there's still a sense of mystery and originality. You can hear it in the songs the band performs live in our studio.Go to episode 175