Results for bluegrass
Robert Plant is arguably one of the most famous names and faces in music history—amazing considering he started his career in the Welsh borderlands of England, or as he says, the Black Country. There he was inspired by sounds from across the pond including the Blues and singers like Little Richard and Smokey Robinson & The Miracles. Plant went on to found Band of Joy and later Led Zeppelin with his friend, drummer John Bonham, and the two ruled the rock airwaves in the 1970's. Bonham died in 1980, and with him Led Zeppelin. But Plant has never stopped releasing music or exploring new sounds. Examples of this are Raising Sand with bluegrass musician Alison Krauss in 2007 and Band of Joy with singer-songwriter Patty Griffin. His 10th and latest album is called Lullaby and…The Ceaseless Roar.Go to episode 469
There's a whole word of holiday music out in the universe besides the tired recordings you hear endlessly year after year. Nobody knows that better than holiday music collector and expert Andy Cirzan. Each year, Andy joins Jim and Greg for our Holiday Spectacular, sharing an hour of incredible unknown Christmas records he's picked up over years of scouring bargain bins throughout the country. This year, Andy leads us into the deep woods of the South to present rare country, bluegrass, and hillbilly Christmas songs from a bygone era.
As a special bonus, listeners are invited to download Andy Cirzan's accompanying holiday compilation for FREE at christmas.soundopinions.org. The mix will only be up until the end of 2015, so get it while the yule log is hot! And happy holidays from Sound Opinions!Go to episode 525
The Grateful Dead
The Grateful Dead celebrated its 50th anniversary in July with a series of farewell shows at Soldier Field in Chicago. We're using that as an opportunity to reexamine the legacy of the controversial band. The Dead formed in the Bay Area in the 1960s and featured a core membership of guitarists Jerry Garcia and Bob Weir, keyboardist Ron“Pigpen”McKernan, bassist Phil Lesh, drummers Bill Kreutzmann and Mickey Hart, with important contributions from lyricist Robert Hunter. Though it was the prototypical "jam band," The Dead's sound was much more eclectic and harder to pin down than that sometimes derisive term indicates, incorporating free jazz, psychedelia, bluegrass, blues, early rock ‘n’ roll, and more.
The Dead built a community of devoted fans who would travel with the band from town to town, some of whom would tape the performances and share the recordings, which the band encouraged. Though Deadheads contend the true essence of the band was experienced in its experimental live shows, Jim has little patience for the erratic performances and instead prefers the band's early studio recordings. Greg argues that The Dead was a consistently great live band during its peak in the '70s, before drugs took their toll and the surprise 1987 chart hit "Touch of Grey" altered the fanbase. Garcia, who died in 1995, was an irreplaceable musical genius, and the band leaves behind a legacy of experimentation, eclecticism, and an unparalleled musical community.Go to episode 505
Alison Krauss & Robert Plant Raising Sand
The next segment also focuses on the melding of pop and folk music. Led Zeppelin front man Robert Plant has collaborated with bluegrass virtuoso Alison Krauss on a new album called Raising Sand. Fans of Led Zeppelin III won‘t be surprised by Plant’s interest in American roots music; it's closely linked with Celtic folkmusic. But, Jim was surpised by the lack of chemistry between Alison Krauss and Robert Plant. Both are phenomenal singer, and both were backed by a phenomenal band, but Jim just found himself getting sleepy. He can only give the album a Burn It. Greg admits that the record is subtle, and doesn't lend itself to all kinds of listening, but he was amazed by the harmonies Plant gives. He also thinks their song choices, which include Allen Toussaint and Gene Clark covers, were perfect. Greg gives Raising Sand a Buy It.
At this point in the show Jim and Greg put on their lab coats and welcome another patient for an appointment with the Rock Doctors. This week's patient is listener Joel from Chicago. Joel describes his symptoms for Drs. DeRogatis and Kot: he's a big music fan, particularly roots rock, but hasn‘t been inspired in recent years. He’s hoping the doctors can prescribe some new music that has a definite sense of blues, bluegrass and roots music, but also has some rocking edge.
Dr. DeRogatis goes first and prescribes Sparklehorse's 2006 album Dreamt For Light Years In The Belly Of A Mountain. The group is led by multi-instrumentalist Mark Linkous who has been paralyzed since 1996. Jim explains that Linkous‘ sound changed dramatically after being confined to a wheelchair. There’s a definite influence of alt-country and Southern gothic that Jim thinks Joel will appreciate. Plus, this album features some impressive guests like Steven Drozd of The Flaming Lips and Tom Waits.
Dr. Kot recommends the new album from The Kills. The transcontinental duo met via the mail and have made three albums. Greg thinks the latest, Midnight Boom, is the best. He describes the band's sexy, in-your-face attitude and deep appreciation for the blues. Greg just hopes that Joel doesn't have an allergic reaction to their drum machine.
After a week taking his medicine, Joel returns for a follow-up appointment. He explains that the heavy production in the Sparklehorse initially put him off. But despite the fact that the music was a little slow at times, he can see himself returning to it. Joel describes Dr. Kot's pick as some strong medicine, but he really enjoyed The Kills' melodies and guitars. He thinks the album is at its best when the two singers are featured together, and was able to forget about the drum machine for the most part.Go to episode 128
The copyright infringement lawsuit over Led Zeppelin's "Stairway to Heaven" now has a resolution. As we've previously covered, the trust of Spirit guitarist Randy Wolfe sued Zep, alleging that“Stairway”plagiarized the 1968 track "Taurus." A California jury didn't hear enough similarity between the songs and decided in favor of Led Zeppelin. And as we wind on down the road from the decision, intellectual property attorney Jeffrey Brown tells us this probably won't change the legal standard for copyright infringement. Even when the plaintiffs win – like in the "Blurred Lines" trial – the legal fees are too high to be worth it for anyone but the wealthiest of artists. These cases will continue to be primarily worked out in backroom deals.Go to episode 553